LAVA LINES, 2022
Lava Lines explores the life forms, contemporary myths and geopolitical powers that shape volcanic landscapes. Portals to an underworld of almost limitless energy production, volcanic environments are also the seat of ancestral practices. Lava Lines gathers texts, visual and sonic formats to touch on collective memory, non-human agency and myth-making.
Volcanic lands are considered one of the world's largest intact ecosystems. Shifting grounds of sulfur fumes, acid ponds, and salt deserts are the only visible parts of the Earth's secret inner movements: a new language is needed to comprehend the turbulent surface. In these lands, extreme states of existence come into being. Invisible organisms acclimated to extreme conditions spark research on the origins of life on earth. Micro-histories of adaptation and resilience dwell in the stones, echoing our earthly survival.
These extreme landscapes are considered a place of lifelessness, a land to excavate, with the aim of extracting the non-living mineral wealth that makes life bloom elsewhere. Investment in geothermal power is expanding rapidly, generating new geopolitical and land appropriation issues. Modern scientific approaches have long sought a disembodied, subject-object relationship to the earth, erasing the relationship between land and culture.
But the earth retains a power beyond that of human understanding. In an age dominated by eco-anxiety, the figure of the volcano allows us to explore the questions surrounding the prediction of natural disasters, between scientific standpoints and ancestral rituals. Old and new geological upheavals make visible the complex entanglement of life and death that surrounds us and open up reflections on our earthly interdependence.
Lava Lines leans into these shifting geographies - breaches, ruptures, manifestations - to acknowledge the sensitive entanglement of subterranean physics, and our difficulty to comprehend and therefore represent these complex ecologies and times.
Exhibition:
Francisca Khamis, Naïmé Perrette, Camille Picquot, Rachel Pimm, Mika Oki, Riar Rizaldi
Set Design:
Leïla Arenou
Live programme:
Francisca Khamis, Juliette Lizotte, Mika Oki, Chooc Ly Tan, Adán Ruiz, Ana Vaz, Arif Kornweitz and Rieko Whitfield
Radio by Ja Ja Ja Nee Nee Nee. Publication by Folium Publishing
Curated by Leïla Arenou and Naïmé Perrette
Supported by Fluxus Art Projects, Arts Council England, Creative Industries Fund NL, the Embassy of the Netherlands
Photos by Noémie Reijnen and Jordan Ramone
Biblioteka
Unit 6 Bellenden Road Business Park
London SE15 4RF
https://www.biblioteka.website
Camille Picquot,
Saigon II, 2018 ; Les Protégés, 2022
(photographies)
Rachel Pimm,
Large Igneous Province, 2022
(print on fabric)
Leïla Arenou
Silurian Spells, 2022
(ink on fabric)
Riar Rizaldi
Pyroclasts are eloquent storytellers, 2022
(video)
Script extracts of Monisme
(still in production at the time of the exhibition)
Naïmé Perrette
Resurface, 2022
(Glass, PVC, paper)
OPENING EVENT
Oct. 21 2022
Mika Oki
Pillan, 2022 (Sound piece)
Text and voices by Francisca Khamis
Chooc Ly Tan
Earth Friction: Geological Forces_Forced Naturen,
2022 (Sound piece)
Rieko Whitfield
Regenesis, 2021
with Jared Bennett (synth/keys) and Ben Gardiner (bass guitar)
WORLD BUILDING WORKSHOP AND LIVE ACTION ROLE PLAY
Juliette Lizotte
The Age of Dust, 2022
CLOSING EVENT
27 Nov. 2022
Francisca Khamis
Pillan, 2022
Sound by Mika Oki
Arif Kornweitz
We got nothing on them
(sound piece)
Ana Vaz
Olhe Bem As Montanhas, 2018
(video)
Adán Ruiz
Las Nubes Bajo El Volcán, 2020
(video)